國內首套Master Anamorphic眩光鏡片套裝現已到貨，歡迎到店體驗了解更多。

　　ARRI全新發布的Master Anamorphic眩光鏡片套裝是一套高度多樣化，卻又經濟實惠的附件套裝，適用于ARRI/蔡司Master Anamorphic變形鏡頭系列。七顆Master Anamorphic鏡頭都有屬于自己的眩光鏡片套裝，每套包含一片前端鏡片和一片后端鏡片。更換簡便，鏡片可獨立或同時使用，可為鏡頭提供三種不同的影像風貌，為您的現場創作增添姿彩。

　　自2013年問世以來，Master Anamorphic系列一直是電影電視業界最為先進的變形鏡頭。結合了緊湊的體積，輕巧重量，無畸變的光學表現與無與倫比的全系列T1.9大光圈，MA系列的使用起來如同傳統的球面鏡頭一樣快速便捷，這也代表了變形寬銀幕攝影的一大進步。

　　大多數拍攝場合下，攝影師和視覺特效總監都非常欣賞Master Anamorphic變形鏡頭的消除眩光與反光的光學設計與鍍膜技術。但在某些時候，這些技術上“不完美”的眩光卻是攝影師所用來渲染單個鏡頭、場景或整個影片畫面氣氛的重要因素。這就是Master Anamorphic眩光鏡片套裝的設計初衷。

　　每一套眩光鏡片套裝內含的前鏡和后鏡具備特別設計的鏡頭鍍膜，能夠增加眩光、鬼影和蒙紗效果的強度。這些畫面效果會創造出一種特別的視覺風格，所有的眩光鏡片套裝的效果都能保持統一，且可通過光圈設置和光源的角度來控制。前端鏡片或后端鏡片可獨立使用，也可以組合使用。任一情況都會制造出獨特的視覺風貌，且不會犧牲Master Anamorphic系列所著稱的畫面分辨率，無幾何畸變或整體的光學性能。

　　通過使用全新的ARRI Master Anamorphic變形鏡頭工具套裝（需另購，與所有七款眩光鏡片套裝兼容），由于每一個眩光鏡片已經與金屬框架調直，因此用戶可方便地自行更換前端或后端鏡片，僅需幾分鐘時間。無論是用于拍攝電影、電視劇、MV或廣告，Master Anamorphic眩光鏡片套裝可使租賃公司便捷地為變形寬銀幕的拍攝提供更大的創作自由。一套Master Anamorphic可快速地變成四套具備不同效果的鏡頭，每一套都能夠滿足不同的眩光要求，同時避免市場上其他變形鏡頭的彎曲橫線（畸變）、調焦呼吸、“胖臉”和“枕墊”等畫質劣化現象。

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The new ARRI Master Anamorphic Flare Sets are highly versatile and economical accessories for the ARRI/ZEISS Master Anamorphic lens series. Each of the seven Master Anamorphic focal lengths has its own specific flare set, comprising easily replaceable front and rear glass elements that can be used individually or in combination to provide the lens with three additional looks for enriched on-set creativity.

Since their introduction in 2013, the Master Anamorphic lenses have established themselves as the most advanced anamorphic optics ever designed for the film and television industry. Offering a perfect combination of compact form factor, minimal weight, distortion-free optical performance and an unparalleled high speed of T1.9 across the entire focal length range, they are as fast and easy to use as spherical cine lenses and represent a major step forward in anamorphic cinematography.

For most shooting situations, cinematographers and also VFX supervisors appreciate how effectively the Master Anamorphic optical design and coating technology suppress flares and reflections. Under certain circumstances, however, flares might be exactly what a cinematographer wants in order to heighten the emotional impact of a shot, sequence or project by introducing a level of technical ‘imperfection.’ It is for these situations that the Master Anamorphic Flare Sets have been designed.

The front and rear glass elements that come with each flare set have a special lens coating that encourages flaring, ghosting and veiling glare. These image effects create a visual style that is consistent across all of the flare sets and can be controlled or tweaked via the iris setting, as well as the positioning of lighting fixtures. The front element can be used on its own, as can the rear, or they can be used in combination; each permutation provides a distinct look without sacrificing the resolution, lack of distortion or corner-to-corner optical performance for which the Master Anamorphics are famous.

By using the new ARRI Master Anamorphic Toolkit (purchased separately but compatible with all seven flare sets), the front and rear glass elements can be exchanged with the regular Master Anamorphic elements in a matter of minutes, since each flare element is pre-aligned in a metal frame. Whether for a feature film, TV show, music video or commercial, the Master Anamorphic Flare Sets give rental facilities a quick and cost-effective way of offering anamorphic productions greater on-set creativity. A set of Master Anamorphics effectively becomes four different sets, each suitable for different flaring requirements while maintaining the huge advantage of being freer from distortions such as curved horizons, focus breathing and ‘mumps’ and ‘pincushion’ effects than any other anamorphic lenses on the market. 

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